Now that summer’s here, the ball’s finally rolling on a project I’ve been wanting to start for about a year: a video series of SuperCollider tutorials. I’ve been uploading at a rate of about 1/wk and I hope to keep pace for as long as I can.
I returned from a very cool SEAMUS Conference in St. Paul just a few weeks ago, where I premiered my new piece for trombone and SuperCollider. It was great fun, and I was fortunate to receive a number of compliments after the concert. Steve Parker (who premiered the piece) and I will be laying down a definitive studio version in a few weeks, soon after which I’ll upload a combined score/audio video to my YouTube channel.
I recently bought my plane tickets to the 2013 SuperCollider Symposium in Boulder, CO. I’ll be performing a live DJ set with the Mashup Machine at Gravity Brewing on Thursday May 23rd, starting at 7:30pm.
The semester came to a very satisfying close with the annual Ears, Eyes + Feet concert, a collaborative intersection of composers, choreographers, video artists, and lighting designers at the University of Texas. As has been the case over the past couple of years, I served as the audio engineer and graphic designer. But more significantly, I worked with choreographer Mackenzie Taylor, video artist Jeff Kurihara, and lighting designer Eric Gazzillo to produce an interactive work in which I was able to improvise in real-time from the mixing board with my laptop and MIDI controller. Going off cues from the dancers onstage, I could trigger changes in the audio which, via MIDI signals between computers, could trigger changes in the visual media. It was great fun to perform and to work with these great artists. Video documentation on YouTube will follow soon!
Now that the semester is over, I’ve finally got some time to work on personal projects that have had to take a backseat. In particular, percussionist Adam Groh has commissioned me to write a piece for percussion and live electronics, which I’m really looking forward to. I’m also aiming to revise the Mashup Machine in time for the SC conference, and upload some new SC tutorial videos to YouTube (having just finished teaching a semester long course in SuperCollider, I have a semester’s worth of instructional material).
Last year I was awarded first prize in the 2012 ASCAP/SEAMUS Commission Competition at the annual SEAMUS Conference at Lawrence University in Appleton, Wisconsin. The winning piece was Fractus I, composed in 2010, performed at the conference by Marshall P. Yoes. Between April 18th and 20th, I’ll be traveling to the Twin Cities for the 2013 SEAMUS Conference with a new electroacoustic piece written for trombonist Steve Parker.
In late May, you’ll be able to find me at the University of Colorado at Boulder for the 2013 SuperCollider Conference, where I’ll be doing a live mashup set with the Mashup Machine. I’m hoping to roll out with a new and improved version before then.
Ever dissatisfied with the state of my personal site, I’m putting it through some more aesthetic changes, and ultimately aiming to provide a more complete picture of what I’m up to.