works

LIVE ELECTROACOUSTIC

Singularity (2014), for wind ensemble and stereo electronics, supported by the 2014 James E. Croft Grant for Young and Emerging Wind Band Composers. The Atlantic Coast Conference Band Director’s Association retains performance exclusivity through 2015.

Fractus V: Metal Detector (2013), for solo percussion and stereo electronics, commissioned by Adam Groh, Assistant Professor of Percussion at Graceland University, Lamoni IA. Premiered on March 29, 2014 at the Graceland University Iowa Day of Percussion.

Colliders (2013), laptop, MIDI controller, and any number of speakers. Performed on March 26, 2015 at the SEAMUS Conference at Virginia Polytechnic Institute and State University, Blacksburg VA.

Fractus IV: Bonesaw (2012), for trombone and quadraphonic electronics, commissioned by ASCAP/SEAMUS and written for Steve Parker. Premiered on April 18, 2013 at the SEAMUS Conference at McNally Smith College of Music, St. Paul MN.

Fractus III: Aerophoneme (2011, rev. 2012, 2014), for flute and quadraphonic electronics, commissioned by and written in close collaboration with Kenzie Slottow. Notable performances include Lena Kildahl, principal flute of the Aarhus Symphony Orchestra, performed at the Royal Academy of Music in Aarhus, Denmark on April 19, 2012.

Fractus II (2010), for viola and stereo electronics. Premiered by Russell Podgorsek at The University of Texas at Austin Electro-Acoustic Recital Series, November 9, 2011.

Fractus I (2010), for trumpet in C and stereo electronics. First Prize Winner in the 2012 ASCAP/SEAMUS Student Commission Competition. Premiered by Jared Broussard at The University of Texas at Austin Electro-Acoustic Recital Series, November 19, 2010. Other notable performances include: Sam Wells, November 8, 2013 at the Electroacoustic Barn Dance at the University of Mary Washington, Fredericksburg VA; and Josh Davies, October 30, 2010 at the Electric LaTex Festival at Tulane University, New Orleans LA.

MULTIMEDIA COLLABORATION

With Oui (2015), for six dancers, suspended motion sensor, and realtime interactive audio and video. Premiered on May 8, 2015 at EARS, Eyes + Feet at The University of Texas at Austin.

(De)constructed (2015), for three dancers and live laptop ensemble. Premiered on May 8, 2015 at EARS, Eyes + Feet at The University of Texas at Austin.

Genetic Anomalies (2014), for two dancers, four body sensors, and realtime interactive audio and video. Premiered on May 3, 2014 at EARS, Eyes + Feet at The University of Texas at Austin.

Hypnagogic (2012), for four dancers, fixed audio, and video feedback. Premiered on May 4, 2012 at EARS, Eyes + Feet at The University of Texas at Austin.

The Box (2012), a twelve-foot walk-in cube installation, with surround audio, immersive lighting, and floor video projection. Premiered on March 19, 2012 in the Oscar Brockett Theatre at The University of Texas at Austin.

hEAR TOuch LISTEN (2011), a site-specific installation, eight contact microphone/subwoofer pairs, metal handrails. Premiered on October 19, 2011 in the Bass Concert Hall lobby at The University of Texas at Austin.

Crush (2011), for six dancers, plexiglass prop, and fixed audio/video. Premiered on May 7, 2011 at EARS, Eyes + Feet at The University of Texas at Austin.

FIXED MEDIA

Short Ride in a Used ’98 Honda (2011), stereo. Commissioned by The Blanton Museum of Art at The University of Texas at Austin, premiered during an ongoing exhibit in April-May 2011.

Étude I (2010), stereo. Premiered at CLUTCH, The University of Texas at Austin on October 4, 2010.

Chandelie(a)r (2010), stereo. Incorporated into a multimedia collaboration and premiered at EARS, Eyes + Feet at The University of Texas at Austin, May 6, 2011.

Displacement (2009), stereo. Premiered on March 27, 2009 at the Ultra Extra Arts Mix, Denton TX.

LARGE ENSEMBLE

Hot Cold Ground (2012), for wind ensemble. Recorded by the UT Wind Ensemble on October 3, 2012.

Romanza (2011), for wind ensemble. Premiered on January 30, 2014 by the CLUTCH Wind Ensemble at The University of Texas at Austin

Cordillera (2009), for orchestra. Winner of the 2009-2010 UNT Symphony Orchestra Concerto Competition, premiered on March 10, 2010 at the University of North Texas, Denton TX.

Fantasy for Wind Symphony (2007, rev. 2009), for wind ensemble. First Prize Winner in the 2009 Bandmasters’ Academic Society of Japan Competition, and Finalist in the 2010 Frank Ticheli Competition.

CHAMBER ENSEMBLE

No Holds Barred/No Bars Held (2011), for trumpet, two marimbas, and drum set. Commissioned by trumpeter Jared Broussard. Premiered on October 3, 2011 on CLUTCH, at The University of Texas at Austin.

At The Speed Of Sound (2009), for brass and percussion ensemble. Winner of the 2011 Dallas Wind Symphony Fanfare Competition. Premiered on February 14, 2012 at the Meyerson Symphony Center in Dallas TX.

Drift (2009), for alto flute, viola, cello and piano. Composed at The University of North Texas, Denton TX.

Fourganic (2008) for percussion quartet. Composed at The University of North Texas, Denton TX.

SOLO INSTRUMENT

Sixxis (2014), for solo percussion on five Sixxen bars. Commissioned by Matt Teodori of line upon line percussion. Premiered on December 9, 2014 at Fusebox 60-in-Sixty, Austin TX.